The title of director Gus Van Sant’s new film Dead Man’s Wire refers to an apparatus attached to a shotgun that is looped around a person’s neck. If the person moves or jerks out of place, it trips the wire, and the gun goes off. It’s a fitting image — and analogy — for the film as a whole, which is thrillingly controlled even as its narrative reaches and stop-and-go cadence both threaten to implode the story.

2025’s First Game of the Year Winner Revealed
Most gamers look forward to the TGA, the The Game Awards, held at the end of the year and hosted by one gaming’s biggest hypemen,